# The story behind the costumes

> A story is built not only through characters but also through details. Discover how Gomer's costumes reveal her inner world in Amor em Ruínas.

URL: https://blog.univervideo.com/a-historia-por-tras-do-figurino?lang=en
Idioma: en
Publicado em: 2026-04-16
Autor: Editorial team
Categoria: Amor em Ruínas

Few people realize that a story is built not only through characters but also through settings, colors, character styling and costumes.

Just as in life, when we dress, we communicate something about who we are, in *“Amor em Ruínas”* this also speaks for itself.

![Gomer photo 1](https://blog.univervideo.com/imagens/strapi-31edd6961db42068.jpg)

**"Gomer** carries this on her own body. Her warm-colored dresses and asymmetrical necklines reveal more than style: they expose her instability, her constant desire to be seen," says **Cristiane Cardoso**, writer of *Amor em Ruínas.*

![Gomer and Hosea photo 3](https://blog.univervideo.com/imagens/strapi-5fca58787df4f5de.jpg)

She does not merely like attention—she needs it. And for the Samaritan woman who will marry the prophet **Hosea**, it is never enough.

Her insecurity pushes her toward choices that seem brave at first glance but are, deep down, impulsive—crooked—as though there would always be time to correct herself later.

![Gomer photo 2](https://blog.univervideo.com/imagens/strapi-bfd1af139ef5fc33.png)

This thirst for freedom appears in hair loose in the wind, almost untamable, and in ambitious vanity marked by an excess of ornaments. In **Gomer**, nothing is discreet—because the void she tries to fill is not either.

*Amor em Ruínas | July 2026. 🪻*
